Stereo imaging is focused and expansive, and there are even a few digital filters to tweak the sound to your tastes. It's precise, clean and delivers for dynamics at every inch of the spectrum. What does all that mean? It makes your music sound great. That chip allows the CD6007 to process high-resolution files through USB-A on front socket, supporting PCM music up to 24-bit/192kHz and DSD128. It has a quieter power supply and improved HDAM amplifier modules, helped along by a sprinkling of higher quality internal components, not least of which is the change of DAC chip to an AKM 4490. Despite the typically excellent build quality, though, it's the insides where Marantz has made the improvements to their CD players count. These are all not only incredible sounding discs, but excellent works as well.You'll need to go back a decade and four model cycles to find a CD6000 that looks notably different which is why you might do a double take if you scroll down to the predecessor further down the list. It took me almost two hours to prepare.Īll right. If you get any and find you like them, better try to get whatever else you might want soon. They are being re-released on SACD, but Pearson says the sound is not as good as the CD reissues. The Living Presence CDs are almost all out of print. The Sibelius is particularly famous for its realistic soundĪnd finally, Paray doing Ravel. This is a reissue of Paul Paray doing two great symphonies, Dvorak's 9th and Sibelius' 2nd. Harry Pearson of The Absolute Sound in the latest issue is singing the praises of this album anew, having listened to it on his latest and greatest CD player. On a Russian Tour in the early sixties, the recording engineers stayed late, and later, and almost gave up and were loading their sound truck waiting for the Osopov Balalaika Orchestra to arrive, but arrive they did and gave the world this amazing sound portrait, "Balalaika Favorites". They had less fine orchestras than RCA, but their sound was as good, and some say even better. Mercury Records did their own series "Mercury Living Presence" with a very purist technique of using only three microphones. They put in new air conditioning in the late sixties and ruined the acoustics for recording, though not before getting this on tape. Spectacular music and sound from Chicago's Symphony Hall. The original record regularly sells for over $200.įritz Reiner's famous version of Rimsky-Korsakov's "Scheherazade". Maurice Ravel's "Daphnis and Chloe', ravishingly beautiful, and amazing sound, recorded in 1955.Īrthur Fiedler and the Boston Pops version of Offenbach's "Gaite Parisienne", one of the first stereo recordings (if you discount the stereo stuff Nazi Germany did during WWII), from 1954! Sound that jumps out of the speakers. The CDs of this series seem to be out of print, but they are slowly re-releasing the catalogue on SACD, and they are said to sound even better. These first few are from RCA's "Living Stereo" series, and all are at least forty years old. They supposedly used the same tube gear and analogue chain that was used when Brian was using The Wrecking Crew to record the original Beach Boys stuff way back when. The Zombies' Odessey and Oracle is a neglected classic that has slowly grown in stature over the years, and the sound is very beautiful too.īrian Wilson of The Beach Boys in 2004 finally assembled his lost album from 1967, SMiLE, and the reaction has been pretty favorable. Roy Orbison's Greatest Hits on Monument was a classic for its natural sound and realistic depiction of Roy's beautiful tenor, mastered by a famous engineer who later went on to record Elvis and many others (Dave Porter?) I once had the opportunity to buy an original pressing of the vinyl, but didn't feel I could afford it at the time. Search on the title in Amazon to get all the different versions.Įlla Fitzgerald's Clap Hands, Here Comes Charlie is famous for its realistic sound of a small ensemble and Ella. One of the choices gives the equally stunning-sounding Sketches of Spain in a box set. I don't know which is the best mastering. I couldn't get the page that shows you various versions of Miles Davis' Kind of Blue. Peter Gabriel's unnamed album that has come to be known as Security As a bonus you get Stevie Ray Vaughn tearing it up on one cut, "First We Take Manhattan". Jennifer Warne's classic album of Leonard Cohen songs, Famous Blue Raincoat. These two will not have tape hiss, as I believe they are from an all-digital chain: These are all not only incredible sounding discs, but excellent works as well.
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